Advanced Chemistry
Date: 2008-10-18T00:00:00+00:00
Keywords: Science fiction; Short stories

The Project Gutenberg eBook of Advanced Chemistry

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Advanced Chemistry

Author: Jack G. Huekels

Illustrator: Llewellyn

Release date: October 18, 2008 [eBook #26955]
Most recently updated: January 4, 2021

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK ADVANCED CHEMISTRY ***

ADVANCED CHEMISTRY

By JACK G. HUEKELS

There is a lot of entertainment and also a great deal of truth in this story. We recommend it highly.

Professor Carbonic was diligently at work in his spacious laboratory, analyzing, mixing and experimenting. He had been employed for more than fifteen years in the same pursuit of happiness, in the same house, same laboratory, and attended by the same servant woman, who in her long period of service had attained the plumpness and respectability of two hundred and ninety pounds.

The electric current lighted up everything in sight!

"Mag Nesia," called the professor. The servant's name was Maggie Nesia—Professor Carbonic had contracted the title to save time, for in fifteen years he had not mounted the heights of greatness; he must work harder and faster as life is short, and eliminate such shameful waste of time as putting the "gie" on Maggie.

"Mag Nesia!" the professor repeated.

The old woman rolled slowly into the room.

"Get rid of these and bring the one the boy brought today."

He handed her a tray containing three dead rats, whose brains had been subjected to analysis.

"Yes, Marse," answered Mag Nesia in a tone like citrate.

The professor busied himself with a new preparation of zinc oxide and copper sulphate and sal ammoniac, his latest concoction, which was about to be used and, like its predecessors, to be abandoned.

Mag Nesia appeared bringing another rat, dead. The professor made no experiments on live animals. He had hired a boy in the neighborhood to bring him fresh dead rats at twenty-five cents per head.

Taking the tray he prepared a hypodermic filled with the new preparation. Carefully he made an incision above the right eye of the carcass through the bone. He lifted the hypodermic, half hopelessly, half expectantly. The old woman watched him, as she had done many times before, with always the same pitiful expression. Pitiful, either for the man himself or for the dead rat. Mag Nesia seldom expressed her views.

Inserting the hypodermic needle and injecting the contents of the syringe, Professor Carbonic stepped back.

Prof. Carbonic Makes a Great Discovery

"Great Saints!" His voice could have been heard a mile. Slowly the rat's tail began to point skyward; and as slowly Mag Nesia began to turn white. Professor Carbonic stood as paralyzed. The rat trembled and moved his feet. The man of sixty years made one jump with the alacrity of a boy of sixteen, he grabbed the enlivened animal, and held it high above his head as he jumped about the room.

Spying the servant, who until now had seemed unable to move, he threw both arms around her, bringing the rat close to her face. Around the laboratory they danced to the tune of the woman's shrieks. The professor held on, and the woman yelled. Up and down spasmodically on the laboratory floor came the two hundred and ninety pounds with the professor thrown in.

Bottles tumbled from the shelves. Furniture was upset. Precious liquids flowed unrestrained and unnoticed. Finally the professor dropped with exhaustion and the rat and Mag Nesia made a dash for freedom.

Early in the morning pedestrians on Arlington Avenue were attracted by a sign in brilliant letters.

Professor Carbonic early in the morning betook himself to the nearest hardware store and purchased the tools necessary for his new profession. He was an M.D. and his recently acquired knowledge put him in a position to startle the world. Having procured what he needed he returned home.

Things were developing fast. Mag Nesia met him at the door and told him that Sally Soda, who was known to the neighborhood as Sal or Sal Soda generally, had fallen down two flights of stairs, and to use her own words was "Putty bad." Sal Soda's mother, in sending for a doctor, had read the elaborate sign of the new enemy of death, and begged that he come to see Sal as soon as he returned.

Bidding Mag Nesia to accompany him, he went to the laboratory and secured his precious preparation. Professor Carbonic and the unwilling Mag Nesia started out to put new life into a little Sal Soda who lived in the same block.

Reaching the house they met the family physician then attendant on little Sal. Doctor X. Ray had also read the sign of the professor and his greeting was very chilly.

"How is the child?" asked the professor.

"Fatally hurt and can live but an hour." Then he added, "I have done all that can be done."

"All that you can do," corrected the professor.

With a withering glance, Doctor X. Ray left the room and the house. His reputation was such as to admit of no intrusion.

"I am sorry she is not dead, it would be easier to work, and also a more reasonable charge." Giving Mag Nesia his instruments he administered a local anesthetic; this done he selected a brace and bit that he had procured that morning. With these instruments he bored a small hole into the child's head. Inserting his hypodermic needle, he injected the immortal fluid, then cutting the end off a dowel, which he had also procured that morning, he hammered it into the hole until it wedged itself tight.

Professor Carbonic seated himself comfortably and awaited the action of his injection, while the plump Mag Nesia paced or rather waddled the floor with a bag of carpenter's tools under her arm.

The fluid worked. The child came to and sat up. Sal Soda had regained her pep.

"It will be one dollar and twenty-five cents, Mrs. Soda," apologized the professor. "I have to make that charge as it is so inconvenient to work on them when they are still alive."

Having collected his fee, the professor and Mag Nesia departed, amid the ever rising blessings of the Soda family.

At 3:30 P.M. Mag Nesia sought her employer, who was asleep in the sitting room.

"Marse Paul, a gentleman to see you."

The professor awoke and had her send the man in.

The man entered hurriedly, hat in hand. "Are you Professor Carbonic?"

"I am, what can I do for you?"

"Can you——?" the man hesitated. "My friend has just been killed in an accident. You couldn't——" he hesitated again.

"I know that it is unbelievable," answered the professor. "But I can."

Professor Carbonic for some years had suffered from the effects of a weak heart. His fears on this score had recently been entirely relieved. He now had the prescription—Death no more! The startling discovery, and the happenings of the last twenty-four hours had begun to take effect on him, and he did not wish to make another call until he was feeling better.

"I'll go," said the professor after a period of musing. "My discoveries are for the benefit of the human race, I must not consider myself."

He satisfied himself that he had all his tools. He had just sufficient of the preparation for one injection; this, he thought, would be enough; however, he placed in his case, two vials of different solutions, which were the basis of his discovery. These fluids had but to be mixed, and after the chemical reaction had taken place the preparation was ready for use.

He searched the house for Mag Nesia, but the old servant had made it certain that she did not intend to act as nurse to dead men on their journey back to life. Reluctantly he decided to go without her.

"How is it possible!" exclaimed the stranger, as they climbed into the waiting machine.

"I have worked for fifteen years before I found the solution," answered the professor slowly.

"I cannot understand on what you could have based a theory for experimenting on something that has been universally accepted as impossible of solution."

"With electricity, all is possible; as I have proved." Seeing the skeptical look his companion assumed, he continued, "Electricity is the basis of every motive power we have; it is the base of every formation that we know." The professor was warming to the subject.

"Go on," said the stranger, "I am extremely interested."

"Every sort of heat that is known, whether dormant or active, is only one arm of the gigantic force electricity. The most of our knowledge of electricity has been gained through its offspring, magnetism. A body entirely devoid of electricity, is a body dead. Magnetism is apparent in many things including the human race, and its presence in many people is prominent."

"But how did this lead to your experiments?"

"If magnetism or motive force, is the offspring of electricity, the human body must, and does contain electricity. That we use more electricity than the human body will induce is a fact; it is apparent therefore that a certain amount of electricity must be generated within the human body, and without aid of any outside forces. Science has known for years that the body's power is brought into action through the brain. The brain is our generator. The little cells and the fluid that separate them, have the same action as the liquid of a wet battery; like a wet battery this fluid wears out and we must replace the fluid or the sal ammoniac or we lose the use of the battery or body. I have discovered what fluid to use that will produce the electricity in the brain cells which the human body is unable to induce."

"We are here," said the stranger as he brought the car to a stop at the curb.

"You are still a skeptic," noting the voice of the man. "But you shall see shortly."

The man led him into the house and introduced him to Mrs. Murray Attic, who conducted him to the room where the deceased Murray Attic was laid.

Without a word the professor began his preparations. He was ill, and would have preferred to have been at rest in his own comfortable house. He would do the work quickly and get away.

Selecting a gimlet, he bored a hole through the skull of the dead man; inserting his hypodermic he injected all the fluid he had mixed. He had not calculated on the size of the gimlet and the dowels he carried would not fit the hole. As a last resource he drove in his lead pencil, broke it off close, and carefully cut the splinters smooth with the head.

"It will be seventy-five cents, madam," said the professor as he finished the work.

Mrs. Murray Attic paid the money unconsciously; she did not know whether he was embalming her husband or just trying the keenness of his new tools. The death had been too much for her.

The minutes passed and still the dead man showed no signs of reviving. Professor Carbonic paced the floor in an agitated manner. He began to be doubtful of his ability to bring the man back. Worried, he continued his tramp up and down the room. His heart was affecting him. He was tempted to return the seventy-five cents to the prostrate wife when—THE DEAD MAN MOVED!

The professor clasped his hands to his throat, and with his head thrown back dropped to the floor. A fatal attack of the heart.

He became conscious quickly. "The bottles there," he whispered. "Mix—, make injection." He became unconscious again.

The stranger found the gimlet and bored a hole in the professor's head, hastily seizing one of the vials, he poured the contents into the deeply made hole. He then realized that there was another bottle.

"Mix them!" shrieked the almost hysterical woman.

It was too late, the one vial was empty, and the professor's body lay lifeless.

In mental agony the stranger grasped the second vial and emptied its contents also into the professor's head, and stopped the hole with the cork.

Miraculously Professor Carbonic opened his eyes, and rose to his feet. His eyes were like balls of fire; his lips moved inaudibly, and as they moved little blue sparks were seen to pass from one to another. His hair stood out from his head. The chemical reaction was going on in the professor's brain, with a dose powerful enough to restore ten men. He tottered slightly.

Murray Attic, now thoroughly alive, sat up straight in bed. He grasped the brass bed post with one hand and stretched out the other to aid the staggering man.

He caught his hand; both bodies stiffened; a slight crackling sound was audible; a blue flash shot from where Attic's had made contact with the bed post; then a dull thud as both bodies struck the floor. Both men were electrocuted, and the formula is still a secret.

THE END

Transcriber's Note: This etext was produced from Amazing Stories April 1956 and was first published in Amazing Stories March 1927. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK ADVANCED CHEMISTRY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- ADVANCED CHEMISTRY

- THE FULL PROJECT GUTENBERG LICENSE